Commercial music – Papa Byrd http://papabyrd.com/ Mon, 15 Nov 2021 21:43:06 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://papabyrd.com/wp-content/uploads/2021/10/icon-120x120.jpg Commercial music – Papa Byrd http://papabyrd.com/ 32 32 School of Music develops commercial music degree | life https://papabyrd.com/school-of-music-develops-commercial-music-degree-life/ Thu, 11 Nov 2021 03:58:00 +0000 https://papabyrd.com/school-of-music-develops-commercial-music-degree-life/ Buddy Holly, Josh Abbott, Natalie Maines and Lee Ann Womack are just some of the musicians who made their debut in the South Plains. After about three years of planning, the Texas Tech School of Music formed a partnership with South Plains College to offer a four-year Commercial Music degree to students interested in musical […]]]>

Buddy Holly, Josh Abbott, Natalie Maines and Lee Ann Womack are just some of the musicians who made their debut in the South Plains.

After about three years of planning, the Texas Tech School of Music formed a partnership with South Plains College to offer a four-year Commercial Music degree to students interested in musical production and performance.

Lisa Garner Santa, acting principal of the School of Music, said there has been an interest in partnering with South Plains College’s commercial music program for decades. The Tech School of Music hasn’t capitalized on the university’s location in Buddy Holly’s home, Garner Santa said, and this degree offers students a way to explore their talents in the commercial music world. .

“So if someone wanted to develop the skills to become a guitarist, drummer, keyboardist, singer in Nashville, LA, Las Vegas, New York, what skills would they need? Garner Santa said. “And so that’s what makes her really, really different, is the application of that skill, not just the acquisition of the skill.”

Students in the BAACM program will begin the first two years of their studies at South Plains College, completing the Associate of Applied Arts degree in Commercial Music, where they will have the technology necessary for hands-on experience, including recording, audio, video and production and sound design.

Garner Santa said the degree also includes a wrap-up project, where students must organize a performance at a local venue from start to finish, and an internship at a local commercial music company, such as The Cactus Theater.

“It opens the door for those interested in rock, metal, country, bluegrass, hip hop, sound design, recording technology, all of these things can see a way in this region.” , in that area, “she said.

In addition to the higher-level courses that focus on specific instruments or ensembles, the 3000 and 4000-level technology courses build on the recording technology and computer training that students will receive at SPC, Garner Santa said. .

Christopher J. Smith, professor and president of musicology at the School of Music and director of Tech’s Vernacular Music Center, said he was happy that there had been more receptivity to a partnership between the two colleges.

“So philosophically I think it’s a lot more inclusive, and a lot less that kind of elitism, false elitism, this false hierarchy,” Smith said. “So it’s good pragmatically, it’s good for recruiting, it’s good for students, it’s good for both institutions, and it’s also, I believe, the right thing to do.”

The Vernacular Music Center gives students the opportunity to learn traditional music from around the world, from African diaspora music to mariachi. Smith encourages students to learn about a variety of different instruments to perfect their own craft.

This diversity in education, along with the increased freedom students have in the genre of music they wish to pursue, breaks certain hierarchies in the music world that separate more artistic music from commercial music, Smith said. .

“And so, we like to think of us (Tech), third and fourth year as a kind of building up from a really solid, solid technical and professional base, which is very strong, rewarding in terms of skills, especially music theory skills. but also just like being a citizen of the world understanding that, you know, this is one place and there are a lot of other places in the world where music occurs, ”Smith said.

Joy Harris is a musician from Lubbock and owner of Joy Harris Music, LLC. Harris is in the process of getting her bachelor’s degree in musical performance at Tech, although she said she is not currently a student.

With her passions for orchestral percussion and electric bass, Harris supported herself as a full-time musician for most of her life. She said there was a gap in the information she learned in class at Tech in relation to the professional world.

“So I got a lot of real world experience doing everything, going out there, playing concerts, you know, trying to build my reputation, my business, all of that good stuff,” he said. said Harris, “But my area of ​​study at Tech was musical performance, that is – I’m a performing musician, so it’s related, but some of the skills such as understanding the law authoring, recording, studio experience, reading and writing paintings, not just noted music, things like there was a rift between the two worlds.

Harris also spent a decade teaching in public schools, primarily in Midland. She said that many students she knows are interested in commercial music, but have not considered enrolling at Tech as there was no program for such a thing.

In his experience, versatility is useful for live musicians, Harris said. Attending both SPC and Tech, she said, will make students complete and ready to enter the entertainment world.

“The benefit of this degree that feeds into the benefits of what, say, the town of Lubbock might actually provide some longevity for these students when they graduate, you know there’s a ready environment for them. allow it to go to work, ”Harris mentioned.

The program opened for the fall semester 2021, and most students in the program are interested in jazz and choirs, Garner Santa said.

“This program gives us the opportunity to reconnect with our community to provide additional training to those who already express talent in the commercial music arena,” said Garner Santa.


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The State’s First and Only Commercial Music Program Gives Students Tools to Pursue Commercial Music Careers | News Examiner https://papabyrd.com/the-states-first-and-only-commercial-music-program-gives-students-tools-to-pursue-commercial-music-careers-news-examiner/ https://papabyrd.com/the-states-first-and-only-commercial-music-program-gives-students-tools-to-pursue-commercial-music-careers-news-examiner/#respond Mon, 01 Nov 2021 17:39:00 +0000 https://papabyrd.com/the-states-first-and-only-commercial-music-program-gives-students-tools-to-pursue-commercial-music-careers-news-examiner/ Country united states of americaUS Virgin IslandsMinor Outlying Islands of the United StatesCanadaMexico, United Mexican StatesBahamas, Commonwealth ofCuba, Republic ofDominican RepublicHaiti, Republic ofJamaicaAfghanistanAlbania, People’s Socialist Republic ofAlgeria, People’s Democratic Republic ofAmerican SamoaAndorra, Principality ofAngola, Republic ofAnguillaAntarctica (the territory south of 60 degrees S)Antigua and BarbudaArgentina, Argentine RepublicArmeniaArubaAustralia, Commonwealth ofAustria, Republic ofAzerbaijan, Republic ofBahrain, Kingdom ofBangladesh, […]]]>


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MSU Billings Offers Commercial Music Degree to Help Students Enter Music Industry | Music https://papabyrd.com/msu-billings-offers-commercial-music-degree-to-help-students-enter-music-industry-music/ https://papabyrd.com/msu-billings-offers-commercial-music-degree-to-help-students-enter-music-industry-music/#respond Wed, 27 Oct 2021 16:21:00 +0000 https://papabyrd.com/msu-billings-offers-commercial-music-degree-to-help-students-enter-music-industry-music/ John Roberts y Pan Blanco performs during the 2021 Magic City Blues Festival in downtown Billings. MSUB News Service While the building that houses Montana State University’s Billings Music Department looks like any other higher education structure, the department is no ordinary music department. MSU Billings’ Faculty of Music is quite unique, with decades of […]]]>

MSUB News Service

While the building that houses Montana State University’s Billings Music Department looks like any other higher education structure, the department is no ordinary music department.

MSU Billings’ Faculty of Music is quite unique, with decades of experience in the music industry, ranging from international performances alongside renowned musicians, playing in their own bands, to composing, recording and teaching. Extraordinary things happen every day in the music department of MSUB.

MSU Billings’ Music Department consists of nine highly qualified music teachers, some of whom are graduates of the Juilliard School of Music, University of Cincinnati College-Conservatory of Music, California Institute of the Arts, and University of California from the South, with their expertise ranging from keyboard, guitar, brass and percussion, oboe, violin, voice, piano and recording.

From the Los Angeles Philharmonic to Dr. Dre to MSUB, John Roberts is the highly energetic and charismatic Low Brass Department Chair and Associate Professor. He grew up on a remote ranch in southeastern Montana and began his musical journey at the age of five learning to play the piano. After earning a degree in musical performance from MSU Billings, Roberts moved to Los Angeles and received his Masters of Fine Arts in Western Orchestral Performance from the California Institute of the Arts. He then spent 17 years performing internationally and touring with artists such as Sting, Fallout Boy, Lady Gaga, Christina Aguilera, Bobby Womack and the Temptations, to name a few. Additionally, Roberts and his renowned band, John Roberts y Pan Blanco, travel across the country to perform their very energetic West African musical sounds, funk, soul, salsa, jazz and R&B.


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Trevecca Names Commercial Music Center ED | Education https://papabyrd.com/trevecca-names-commercial-music-center-ed-education/ https://papabyrd.com/trevecca-names-commercial-music-center-ed-education/#respond Mon, 18 Oct 2021 17:40:14 +0000 https://papabyrd.com/trevecca-names-commercial-music-center-ed-education/ Trevecca Nazarene University has named Craig Adams Executive Director of the brand new TNU Center for Commercial Music. Adams is a music industry veteran, son of the late gospel songwriter / performer Stephen Adams and a five-time Dove Award winner from the Gospel Music Association. According to a statement, he comes to Trevecca from LifeWay, […]]]>

Trevecca Nazarene University has named Craig Adams Executive Director of the brand new TNU Center for Commercial Music.

Adams is a music industry veteran, son of the late gospel songwriter / performer Stephen Adams and a five-time Dove Award winner from the Gospel Music Association. According to a statement, he comes to Trevecca from LifeWay, where he created or collaborated on more than 3,000 Christian music products and worship resources from 2007-21.

A former student of Trevecca, Adams has served as a performer, arranger, songwriter, producer, and cult leader.

As Executive Director of the TNU Center for Commercial Music, Adams will be the primary liaison between music industry professionals, the Nazarene denomination, the church in general, and the various Trevecca campus programs that include the presentation and production of music.

The centre’s primary mission is to “strengthen, diversify and unify the training infrastructure by infusing the program with leading industry voices and influencers,” according to Dr Vernon Whaley, Trevecca’s vice president for development. of programs for music and worship.

The center is a division of the TNU School of Music and Worship Arts headed by Dr David Diehl, the dean of the school.

Trevecca President Dr Dan Boone described Adams as “an excellent communicator, problem solver and people manager. He is gifted and adept at supervising, providing discipline, and equipping creatives to achieve mission goals.

With students from 47 states and 39 countries, Trevecca offers 20 associate degrees, 81 undergraduate majors, 25 master’s programs and three doctoral programs as well as honors and certificate programs.


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TikTok Adds Six Certified Sound Partners to Commercial Music Library https://papabyrd.com/tiktok-adds-six-certified-sound-partners-to-commercial-music-library/ https://papabyrd.com/tiktok-adds-six-certified-sound-partners-to-commercial-music-library/#respond Fri, 08 Oct 2021 18:07:33 +0000 https://papabyrd.com/tiktok-adds-six-certified-sound-partners-to-commercial-music-library/ Photo credit: TikTok TikTok has added six new Certified Sound Partners to its commercial music library. Here is an overview of its new partners. Music is an integral part of the TikTok platform, sparking global trends. The sound-centric nature of the platform means that the business is constantly in need of new sounds for brands […]]]>

Photo credit: TikTok

TikTok has added six new Certified Sound Partners to its commercial music library. Here is an overview of its new partners.

Music is an integral part of the TikTok platform, sparking global trends. The sound-centric nature of the platform means that the business is constantly in need of new sounds for brands and their community. TikTok has expanded its Marketing Partner Program to welcome six Certified Sound Partners for Brands to help them develop sound strategies for TikTok.

TikTok’s commercial music library includes over 150,000 pre-authorized and royalty-free tracks. This partnership will help expand the commercial music library in several surprising ways. According to a study by MRC Data, 65% of TikTokers prefer brands that offer original sounds. 68% say they remember a brand better when they feature songs they like in their videos.

TikTok Sound partners offer personalized sounds and subscription sounds to support the brand’s campaign goals. “Sound is TikTok’s universal language, and brands need to embrace music and sound in order to authentically display on the platform,” says Melissa Yang, Ecosystem Manager for TikTok.

“Our new Sound Partners have a proven track record of helping marketers develop strategies for TikTok and provide scalable options for brands of all sizes. We’re excited to see more brands harnessing sound on TikTok and making meaningful connections with the community through creative and sound strategies, ”adds Yang.

Personalized sound partners

TikTok says its custom sound partners create bespoke tracks that inspire community participation and excitement. This can include hashtag challenges, campaigns, and more.

  • KARM – A global music production company specializing in custom tracks on TikTok. Designed for the TikTok generation, KARM focuses its attention on creating music for the platform.
  • MassiveMusic – A global music agency offering everything a brand needs in music, voice and sound. MassiveMusic can help brands build their sound brand identity on the platform.
  • The music of the elements – A sound agency specializing in the production of real records for the media.

Subscription sound partners

TikTok’s subscription sound partners offer flexible music offerings through monthly, annual, or project-based licensing plans.

  • Its epidemic – Epidemic Sound brings high quality music and sound effects to millions of content creators around the world.
  • Songtradr – The world’s fastest growing B2B music platform, delivering fresh music daily.
  • UnitedMasters – UnitedMasters is an independent music platform that gives creators access to premium music distribution services and partnership opportunities with major brands.

Are you a marketer wanting to learn more about TikTok’s Sound Partners program? Consult the directory here.


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Jennifer Lopez’s mother appears in Ben Affleck’s game commercial – Music News https://papabyrd.com/jennifer-lopezs-mother-appears-in-ben-afflecks-game-commercial-music-news/ https://papabyrd.com/jennifer-lopezs-mother-appears-in-ben-afflecks-game-commercial-music-news/#respond Tue, 31 Aug 2021 07:36:48 +0000 https://papabyrd.com/jennifer-lopezs-mother-appears-in-ben-afflecks-game-commercial-music-news/ Jennifer Lopez’s mother, Guadalupe ‘Lupe’ Rodríguez, makes a cameo appearance in Ben Affleck’s new betting commercial. The 49-year-old recently did the commercial for WynnBET, a new sports betting app, and also plays in the promo, walking around the casino at the Wynn Complex in Las Vegas, observing various players and taking betting suggestions. . As […]]]>

Jennifer Lopez’s mother, Guadalupe ‘Lupe’ Rodríguez, makes a cameo appearance in Ben Affleck’s new betting commercial.

The 49-year-old recently did the commercial for WynnBET, a new sports betting app, and also plays in the promo, walking around the casino at the Wynn Complex in Las Vegas, observing various players and taking betting suggestions. .

As Affleck passes, Rodríguez risks all of his money on two slots at once, applauding his promising winnings.

“Come on, Lupe! she shouts in the middle of the two-minute commercial. “You can do that, my daughter, just like the slot machines in Saint-Louis!” “

According to the New York Post, the ad was shot in June when the two were spotted at the Wynn complex. Worthy of the role, Lopez has described her mother in the past as a “great gamer” who has already won $ 2.4million (£ 1.7million) at an Atlantic City casino.

While the singer was not seen on the set of the commercial, E! News reported at the time that the reunited couple “loved to play together and had done so in the past,” and Affleck was excited to get into the project. The ad also features appearances by basketball legend Shaquille O’Neal and comedian Melvin Gregg.

Affleck and Lopez, who were previously engaged between 2002 and 2004, reunited earlier this year after she split from baseball star Alex Rodriguez.

The Good Will Hunting star was recently spotted shopping for rings at Tiffany & Co. with his mother and son Samuel, sparking rumors he was considering proposing. Last month, the couple are said to have looked at homes in Los Angeles together.


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NSU to Offer Jazz Studies and Commercial Music Program | Schools https://papabyrd.com/nsu-to-offer-jazz-studies-and-commercial-music-program-schools/ https://papabyrd.com/nsu-to-offer-jazz-studies-and-commercial-music-program-schools/#respond Fri, 02 Jul 2021 07:00:00 +0000 https://papabyrd.com/nsu-to-offer-jazz-studies-and-commercial-music-program-schools/ Northeastern State University’s Music Department will launch its new Jazz and Commercial Music Studies program in the fall semester of 2021. The new study plan was created to update the existing Jazz Studies Diploma and provide a curriculum that prepares students for careers in the modern music industry. “Any university must continually revise the curriculum […]]]>

Northeastern State University’s Music Department will launch its new Jazz and Commercial Music Studies program in the fall semester of 2021.

The new study plan was created to update the existing Jazz Studies Diploma and provide a curriculum that prepares students for careers in the modern music industry.

“Any university must continually revise the curriculum to stay up to date with the needs of the modern world. This program introduces students to work in the modern music industry by incorporating courses that teach recording technologies, the music business, and a study of American popular music, ”said Dr. Clark Gibson, director jazz studies at the NSU.

Music production, composition and pop music theory and improvisation are some of the courses that will be offered in the new program.

“I’m particularly excited about the music production classes that start in the fall. These courses are available to both majors and non-majors in music, ”Gibson said. “I can’t wait to teach this skill to non-musical students and see people get excited about getting involved with music in a new way. “

All classes in the Jazz and Commercial Music Studies program are designed with hands-on projects to provide students with the skills to enter the workforce after graduation. These projects include a variety of music industry practices such as performing in a concert, recording other artists, and composing music.

The new program not only prepares students for careers in the performing arts, but also provides a foundation for jobs such as sound engineering, film music, booking agency operations, and many other roles. in the music industry.

Gibson looks forward to this study plan opening a new positive chapter in the fall of 2021 for artists and creatives coming on the heels of the COVID-19 pandemic.

NSU’s original Jazz Studies program has provided students with a jazz education for several decades. In 1993, the NSU Jazz Lab was opened, providing a space for students to practice their craft. The program also produces the annual Green Country Jazz Festival, one of Oklahoma’s oldest jazz festivals.

For more information on Jazz Studies and the Commercial Music program, visit www.nsumusic.com or call (918) 444-2700.


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Commercial music streaming service raises $ 4 million in funding https://papabyrd.com/commercial-music-streaming-service-raises-4-million-in-funding/ https://papabyrd.com/commercial-music-streaming-service-raises-4-million-in-funding/#respond Tue, 11 May 2021 07:00:00 +0000 https://papabyrd.com/commercial-music-streaming-service-raises-4-million-in-funding/ Australia’s commercial music streaming service Qsic has raised $ 4 million in Series A funding to develop its technology platform that has a direct impact on buyer behaviors and experiences. Founded by classmates Matt Elsley and Nick Larkins in 2012, Qsic is Australia’s market leader in commercial music streaming, with hundreds of brands and thousands […]]]>

Australia’s commercial music streaming service Qsic has raised $ 4 million in Series A funding to develop its technology platform that has a direct impact on buyer behaviors and experiences.

Founded by classmates Matt Elsley and Nick Larkins in 2012, Qsic is Australia’s market leader in commercial music streaming, with hundreds of brands and thousands of stores across the country using the platform on a daily basis.

The company already has more than 70 Australian customers, including 7-Eleven, McDonald’s, Mecca Cosmetica and Scanlan Theodore, and reaches over 26 million unique listeners each month.

In addition to music streaming, Qsic organizes the in-store experience in a measurable and straightforward way, including automatic volume adjustment based on actual traffic and personalized content feed, such as advertisements, as customers move through spaces. .

This is done through anonymous touchpoints, including in-store motion and sound decibel sensors, as well as point-of-sale data. As a result, Qsic’s partners are able to better understand their customers’ behaviors and make data-driven decisions at scale.

Qsic will use the increase to create new products in addition to its already established platform; create an even more transparent and hyper-connected complete store infrastructure network.

The company also plans to grow its local workforce from 21 to 42 this coming year, as well as its presence in the United States by four. Qsic recently hired its first Country Manager in the United States.

“We know there is a huge appetite on the part of suppliers and consumers for personalized experiences, especially since data shows that the physical act of visiting a brand is always at the heart of the experience. purchase and login, ”said the co-founder and product manager. Officer, Nick Larkins.

“By merging the physical retail environment with multiple data inputs and layering artificial intelligence and machine learning, we are helping brands create a more holistic experience that transcends online and bricks and mortar. . “

Qsic Co-Founder and CEO Matt Elsley said, “We are excited to be the technology behind the next chapter of physical retail store growth. As the in-store experience becomes data-driven and hyper-connected, smart platforms are becoming essential for testing, measuring and learning. Qsic is that action system for our customers.

“Carthona Capital’s support allows us to transform static environments into real dynamics. At a time when so many in the industry are feeling the pressures of COVID, it is a privilege to be able to help our partners rebuild and reconnect with their communities. “


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Mento Buru and Bakersfield College’s Commercial Music Program are collaborating on a new project called “The Renegade Sounds”. – The Renegade Rip https://papabyrd.com/mento-buru-and-bakersfield-colleges-commercial-music-program-are-collaborating-on-a-new-project-called-the-renegade-sounds-the-renegade-rip/ https://papabyrd.com/mento-buru-and-bakersfield-colleges-commercial-music-program-are-collaborating-on-a-new-project-called-the-renegade-sounds-the-renegade-rip/#respond Wed, 05 May 2021 07:00:00 +0000 https://papabyrd.com/mento-buru-and-bakersfield-colleges-commercial-music-program-are-collaborating-on-a-new-project-called-the-renegade-sounds-the-renegade-rip/ Bakersfield College’s Commercial Music Program is collaborating with Latin Ska Reggae group Mento Buru on a three song EP titled “The Renegade Sounds” due out May 3. The EP features the school song “Renegade Fight Song “, which consists of various musical genres such as pop-punk and ska. According to a press release, Mento Buru […]]]>

Bakersfield College’s Commercial Music Program is collaborating with Latin Ska Reggae group Mento Buru on a three song EP titled “The Renegade Sounds” due out May 3. The EP features the school song “Renegade Fight Song “, which consists of various musical genres such as pop-punk and ska.

According to a press release, Mento Buru lead singer Matt Munoz approached music teacher Josh Ottum with the idea of ​​recording three new arrangements of the “Renegade Fight Song” with the help of sound engineering students. of British Columbia in 2017.

“They found a few boxes of old 45’s records, original recordings of the original fight song, and that sort of thing went around town and he had a great idea to come up with – re-record the fight song in the style. of their band which is kind of punk and ska, ”said Ottum.

According to Ottum, they recorded the tracks before the pandemic using Logic recording software. He sent the recording files to Munoz who was then able to distribute the tracks to two engineers, in Los Angeles and Nashville by email.

Ottum explained that before his students started working on the EP, they had researched different methods of recording the band’s musical style. They researched certain punk bands such as The Ramones and The Offspring for musical inspiration and Bob Marley for ska and reggae influences.

“It was a really good opportunity for the students to learn, you know, how to record a certain style of music and to gain that experience by recording in the classroom with real working groups. It was just a great learning experience for everyone, ”Ottum said.

He then said that throughout the collaboration, his students had no difference in how the music should sound with Mento Buru. “I try to teach my students this when you’re in the engineering position of a recording session. You really want to be of service to the artist… so it went really well.

Ottum said it was a great experience working with local Bakersfield musicians like Mento Buru and he was ready to collaborate with them again in the future. He would also like to collaborate with other groups, artists or current students who are musicians with different musical styles so that his students practice producing with different musical genres.

“Professor Ottum is to be commended for teaching such a fantastic program,” Munoz said in a press release. “The professionalism of his sound engineering students was so impressive, and the whole group brought the perfect level of energy to the studio sessions. “

The EP will be released via Apple Music, Spotify, Amazon, YouTube Music, Pandora, Tidal and more on May 3.


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Swedish anti-commercial music movement that attacked politics and Eurovision https://papabyrd.com/swedish-anti-commercial-music-movement-that-attacked-politics-and-eurovision/ https://papabyrd.com/swedish-anti-commercial-music-movement-that-attacked-politics-and-eurovision/#respond Mon, 22 Mar 2021 07:00:00 +0000 https://papabyrd.com/swedish-anti-commercial-music-movement-that-attacked-politics-and-eurovision/ The reason for this was Progg, a rebellion against commercial music that started groups such as Nationalteatern, the Hoola Bandoola Band and Blå Tåget. What is the progg? Progg, abbreviation of den progressiva musikrörelsen or “The progressive music movement” was a reaction to the heavily commercialized pop and rock of British and American influence that […]]]>

The reason for this was Progg, a rebellion against commercial music that started groups such as Nationalteatern, the Hoola Bandoola Band and Blå Tåget.

What is the progg?

Progg, abbreviation of den progressiva musikrörelsen or “The progressive music movement” was a reaction to the heavily commercialized pop and rock of British and American influence that flooded Sweden from the mid-1960s.

It usually dates back to two free and illegal festivals held in Stockholm Gärdet Park in 1970, inspired by Woodstock in the United States, and the Almstriden (Elm War), in the summer of 1971, when the hippies occupied part of Kungsträdgården, a central square with a small park in Stockholm to prevent the slaughter of a group of 13 elms.

Stylistically, the progg mixed elements of garage rock and roll, Swedish folk, cabaret, jazz, blues and protest songs. Like punk a decade later, he had a DIY philosophy, emphasizing expression over musical skills.

This meant that some of the bands, especially the less famous ones, were pretty rude, at least judging by the performances during the protests against Eurovision Song Contest in the movie Vi har vår egen sång (We have our own song).

In the documentary on the Hoola Bandoola Band, Scanian blues, roots and reggae musician Peps Persson, who was at the forefront of the progg movement, captured what many bands lack, when asked what he wants. thought of them in their prime.

“I thought they had some really great lyrics, but I didn’t think they were ‘swinging’,” he says.

What happened at Eurovision?

A biting and sardonic song by Gothenburg progger Ulf Dageby sums up the mood in its title: Doing the omoralisk Schlager-festivalern, or “doing the immoral Schlager festival”, “schlager” referring to the simple and catchy songs loved by the festival.

Under the name Sillstryparn (“the herring strangler”), Dageby, a member of the Nationalteatern group, sees ABBA and Eurovision as little better than tools of capitalism, criticizing their songs for their lack of political messages.

Och här kommer ABBA i kläder av plast /Lika döda som sillkonserver. (“And here is ABBA in plastic clothes, as dead as preserved herring ”), continues a memorable line.

Och världens melodi, förtryck och slaveri / Vad fan rör det våra artist? (“And the melody of the world, oppression and slavery, our artists don’t care”)

De ställer upp på allt, de tar det smörigt kallt / I fascisternas feta ister (“They are ready for anything, they take it very cold in the fat fat of the fascists”).

What was the size of progg?

Progg never rivaled pop, punk, or synth in popularity, but back then Musikens Makt, progg’s house magazine, was arguably the dominant music magazine in Sweden, the equivalent of the UK’s New Musical Express (NME).

In addition, progg groups such as Nationalteatern and Blå Tåget are now considered part of Swedish rock history.

But because one of the main requirements for being a progg was to sing in Swedish and refuse deals with international labels, hardly anyone outside the country has ever heard of it.

In 2000, Lukas Moodysson’s film Together, on a Swedish commune in 1975, celebrated some of the great progg groups, with the soundtrack starring Nationalteatern, Marie Selander and Turid Lundqvist, as well as commercial pop music from ABBA and Ted Gärdestad.

How did politics get into it?

The biggest labels, Nacksving, Silence and MNW, were all very politically engaged, releasing only bands that expressed “correct” leftist ideas.

Singer-songwriter Ulf Lundell, for example, was rejected by both MNW and Silence, while Kebnekajse, which was signed for Silence, received widespread criticism for the lack of left-wing ideas expressed. in their songs, and eventually signed with the commercial company Mercury Records.

Gothenburg-based Nackswing was one of the more ideological labels, releasing records from Nationalteatern, Motvind and other local bands.

Even further to the left was Proletärkultur, a label owned by KPML (r), a Swedish Communist Party centered in Gothenburg, whose roster included the group Knutna nävar (Clenched Fists).

Progg songs often feature people in factories the same way Swedish does Arbetarlitteratur, (“Proletarian Literature”), which also experienced a renaissance in the 1970s.

The classics are from Nationalteatern Hanna från Arlöv, (“Hanna d’Arlöv”), where a working-class woman’s protest in a laundry teaches the narrator, who is probably less of a worker, the value of standing up for his rights, Strejken på SAAB, “The strike at SAAB”, by Fria Proteatern, or Är du lönsam lille vän, “Are you profitable, boyfriend? by the Gläns Över Sjö och Stränd group.

Songs can also express political ideas in fantasy, with songs like Blå Tåget’s På Väg to Koppargruvan, (“On the way to the copper mine), which features a man driving to his shift who is hijacked by a tailless fox, and a skinless bear, who then takes him to a fancy hotel , where they murder together politicians and businessmen conspire to further destroy their environment.

What happened to progg?

Clashes between the far left and the more hippie elements of progg hit the movement hard by the late 1970s, and by the early to mid-1980s it had grown deeply out of fashion and was eclipsed by a wave of punk bands. and synth.

But Swedish punk bands shared the DIY approach to progg, and perhaps the most beloved song from Sweden’s most beloved punk band, “Staten och kapitalet” (State and capital), is a cover of “Blå Tåget “Den ena handen vet vad den andra gör“,” One hand knows what the other is doing “.

For 50 years since Progg’s heyday, bands like Nationalteatern and Hoola Bandoola member Mikael Wiehe have been like every other aging rocker performing their golden oldies across Sweden.

Finally, as Sweden’s contribution to world music increasingly seems to be about super-producers like Max Martin creating identity hits for big-name American stars, it’s easy to start longing for a bit of anti-rebellion. -commercial.


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